Showing posts with label Interpol. Show all posts
Showing posts with label Interpol. Show all posts

Monday, December 7, 2009

Interpol - Turn On The Bright Lights

It was always going to be hard choosing between two CD’s of equal relevance and quality. I refer to Interpol’s debut and sophomore releases “Turn On The Bright Lights’ and ‘Antics’, respectively. In the end, I chose “Turn On The Bright Lights”, arguably one of the finest, defining and musically poignant debut releases of the post punk era. Interpol are often referred to as the “best dressed” band in the business, (hailing from of New York I guess it's understandable) but it’s their music that sets them apart.

Interpol’s music is dark, broody and full of angst (as are most of their lyrics) yet paradoxically melodic. Carlos Dengler’s deep driving bass, harmonized by the intonation of Daniel Kessler’s rhythmic guitar layered with the lead vocals of Paul Banks, whose low deep voice has often been compared to the late Ian Curtis of Joy Division (then again which singer hasn’t?) rounded out by Samuel Fogarino’s ubiquitous snare drum beat, characterise and define Interpol’s, critically acclaimed, sound and style.

TOTBL, effectively and articulately introduces the distinctive sound of these Indie rockers, with the opening title track, aptly named “Untitled” challenging us to absorb and process the music, without the requirement for an actual track name (effortlessly aided by the extended guitar and drum intro). “Obstacle1” follows next; a favourite track played live, openly expressing an emotive quality to Paul Bank’s low vocal range. “Say Hello To The Angels” (a perfect opener to any mixed tape compilation) instantly delves into a flurry of grinding guitar riffs, which not only lay the song’s foundation but also immerse you into its melodious appeal.

“NYC”, an ode to their city of residence, an introspective reflection on life in the big apple, sometimes bittersweet and fastidious but always becoming and nurturing.” Roland” an accelerating and explosive piece, with obvious lineage to the punk genre, powers through and doesn’t disappoint those who like their music fast and loud. Then there is the somewhat ambiguously titled “Stella Was A Diver And She Was Always Down” – take time and ponder its meaning. My favourite track, “PDA”, is an appealing song that captivated me very late one night and incited my appreciation of Interpol; containing a fantastic instrumental bridge that serenades the subconscious.

The Australian release contained a bonus track “Specialist” which lyrically, is every bit as moody as Interpol can conjure musically. So as PDA claims, there are “200 couches”, so, pick one, lock and load TOTBL, assume the horizontal and assimilate in this highly enjoyable musical moment.

Friday, February 22, 2008

Interpol - Hordern Pavilion 21/2/08

Ok, you know how on occasion you’re watching TV and you slowly doze off only to be woken up in the middle of the night, TV still blurting away in the background and you’re totally dazed as you reluctantly go and turn it off? But I digress, what has this got to do with seeing Interpol at the Hordern Pavilion? Not much really, other than this is how I got into Interpol in the first place, the song was PDA and I woke the next morning with it still playing in my head.

Not even 12 months had passed since that fateful wake from my slumber and I was lining up outside of the Hordern, an hour before gates opened ..waiting…and waiting. Well we all know of the adage “well worth the wait” well it was certainly the case in that particular moment in time.

As noted earlier, my introduction to Interpol has been very brief, albeit they have only released 3 CD’s since 2002, but I have noticed that people either like them or they don’t. Their style of song and music tends to polarise people in their opinion of the band, so in a way the people that attended the concert that night “wanted” to be there…and it showed.

The band was amazing, there wasn’t a note played out of tune, very tight and very professional. The sound was spot on and the lighting was not too overbearing and strategically bathed the band in colours of intermittent Blues, Reds, Orange and Yellow, it was almost an interstellar look and feel and complemented the songs very well. Oh and the music, music, music…this is a band that truly lets their music do the talking, no fancy gimmickry, animation or stage props, just brilliant melodies and superb vocals ( Paul Banks is an example of being able to produce an outstanding vocal performance without the requirement of an extensive vocal range or the use of vocal theatrics, he was solid and on the mark the whole night ), a band that was completely in tune with one another and a thoroughly polished unit.

Although Interpol were touring Australia promoting their latest album ‘Our Love To Admire’, they played songs from all three albums, including my subliminal calling song "PDA", which they saved for the last song of the evening.

An absolutely brilliant concert by an equally brilliant band, one that seemed to actually enjoy the crowd and the opportunity in performing for us all.

Oh, and to my two Czech friends that I lost in the crowd on the dance floor “Já doufám že jste měli výbornou noc”

David